CHAPTER X CULTURAL AFFAIRS
10.01. This chapter deals with the cultural programmes of the Ministry and is divided into five sections : (1) The National Akademis; (2) Assistance to Cultural Organization; (3) Museums and Art Galleries; (4) Archaeological Survey of India, and (5) National Archives of India.
(a) Publications : These include such important publications as (1) Who's Who of Indian Writers (already published); (2) National Bibliography of Indian Literature (1900-1953) (in 4 volumes-Vol. I and 2 published); (3) Histories of Literatures in the various Indian languages (10 volumes inclusive of translation alreay published); (4) Contemporary Indian Literature (a symposium surveying literary trends in different languages already published in 8 (languages); (5) anthologies of poetry, short stories, one-act plays, essays, and folk- songs in each of the major Indian languages (33 volumes already published); (6) selections of distinguished poets and authors in Indian languages (16 already published); (7) short informative bio- graphies of eminent Indian writers (24 already published); (8) bi- lingual and multi-lingual dictionaries (I already published); (9) two volumes of Contemporary Indian Short Stories in English translation; (10) three volumes of periodicals selections from Indian
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from Indian poetry, transliterated into Devanagari and translated into Hindi; (11) four homage volumes relating to Tagore Birth Centenary; (12) eight volumes of select writings of Tagore transliterated into Devanagari; and (13) select writings of Gandhiji All Men Are Brothers in translation (8 volumes already published).
(b) Other publications of the Akademi comprise translations of literary classics-both old and modern-from one, Indian language into other languages of which 247 volumes have already been published; translations of important foreign classics into all Indian languages of which 108 volumes have been brought out; selected works like critical editions of Kalidasa's works, collected works in Urdu by the late Maulana Azad and comprehensive anthology of Sanskrit literature; and the Akademi's journals, namely, Indian Literature, Samaskrita Pratibha (in Sanskrit) and the Monthly News Bulletin.
(c) Seminars, Conferences, etc. : A number of seminars, conferences and literary meets were organised by the Akademi to bring together the writers of all Indian languages and to provide them with an opportunity for free exchange of ideas.
(d) Awards: Annual awards of Rs. 5,000 each are given to outstanding book of literary quality in each of the major Indian languages. The Akademi has already made 137 such awards up to 1967.
(e) Languages Recognised by the Akademi : Besides the languages enumerated in Schedule VIII of the Constitution of India, the Sahitya Akademi has recognised Maithili and English (as written by Indian authors) for the purposes of its programme.
(f) Election of the First Fellow: The Sahitya Akademi conferred its first Fellowship on Dr. S. Radhakrishnan at a simple ceremony at Madras held at his residence on 10th September, 1968.
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(a) During the year under review, two exhibitions were organised. The first was an exhibition of paintings of Semyon Chukov, a reputed Russian artist. Sponsored under Indo-USSR Cultural Exchange Programme, the exhibition was displayed in Delhi and Madras during November-December, 1968. The second, an exhibition of Modern French Tapestries and Stained Glass, was held in Calcutta, Madras, Bombay and Delhi during the period December, 1968 to February, 1969.
(b) Quite a few significant publications on contemporary art and under ancient series were brought out. They included monographs on Sanyal, Venkatappa and Ram Kumar, and Leaves from Indian Paintings- Portfolios, and Raagmala Paintings besides the journal (Lalit Kala), picture post cards, catalogues, etc.
The important activities of the Akademi during the year included five performance by eminent Indian artists and visiting foreign artists; a lecture demonstration on 'Kathak'; a programme of folk plays; an exhibition of folk and tribal musical
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instruments; a seminar on the development and preservation of folk musical instruments; and a conference of secretaries of the State Akademis to discuss the programme for the development of dance, drama and music in the country and to ensure collaboration in such activities in these fields. Besides, a scheme for survey and documentation of folk and tribal music, dance and drama was taken in hand.
Fellowship: Shri Kalicharan Patnaik
Awards:
Music Hindustani (instrumental) Shri Mustaq Ali Khan
(Sitar)
Hindustani (vocal) Smt. Moghubai Kurdikar
Karnatic (vocal) Sh. Alattur Srinivasa Ayer
Karnatic (instrumental) Shri K. S. Narayanaswami
(Veena)
Dance Kathakali Shri Kurichi Kunjan Pani-
icker
Bharata Natyam Smt. Kamala
Kuchipudi Dance Guru Shri Chinta
Krishnamoorty
Kathak Smt. Damayanti Joshi
Drama Playwriting (Bengali) Shri Badal Sarkar
Playwriting (Hindi) Shri Mohan Rakesh
Acting (Gujarati) Shri Jawsant Thakur
Traditional Threate 'Jatra' Shri Phani Bhusan Vidya-
binode
Plays Malayalam Aswamedham by Shri
Thoppil Bhasi
Oriya Asanta by Shri Pranbadhu-
kar
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10.12. The Central Government continued to maintain and develop museums of national importance, besides extending financial assistance to State and private museums for their improvement and re- organisation.
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amount of Rs. 1,000 per year as travel grant and Rs. 500 for the purchase of equipment and books.
On 22nd March, 1968 in the presence of a large and distinguished gathering, the President of India, Dr. Zakir Husain,
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formally inaugurated the permanent exhibition of the Heeramenak collection of pre-Columbian art.
In honour of the delegates to the United Nations Conference on Trade and Development held in New Delhi, the, National Museum put up two special exhibitions in its exhibition gallery, namely, (i) an exhibition of rare acquisitions consisting of stone and bronze sculptures and (ii) an exhibition of miniatures entitled "Sports of Krishna" and "Mughal Miniatures" belonging to the museum collections and used for two films "Radha and Krishna" and "Akbar" produced by the Films Division.
On the occasion of the annual meeting of the Museums Association of India held at the National Museum on February 28, 29 and March 1, 1968, a seminar on the theme, "Museum-the Key-note of Our Time," was organized and was attended by delegates from different parts of the country as well as from the National Museum. A two-day seminar on conservation of cultural property was also held in the Museum on May 24 and 25, 1968. Besides participants from different museums, universities and other specialised agencies, Mr. Norman Brommella, Keeper, Conservation Laboratory of the Victoria and Albert Museum, London was also present. Papers on various aspects of conservation were read and discussed. Mr. Brommella also delivered two special lectures.
The National Museum was visited by several scholars and museologists from abroad, who were invited to give talks in the Museum Auditorium. Facilities were provided to visiting scholars and learned institutions to study the museum collections and to photograph them. Facilities were also extended to the Films Division, Ministry of Information and Broadcasting, for shooting films on Indian Jewellery and Indian Toys.
Visiting dignitaries, delegations, specialised groups of visitors, and groups of students visit the, Museum in large numbers. Total attendance this year was 3,65,647.
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The Museum brought out two publications during the year, namely, South Indian Paintings by Shri Sivaramamurti and the Chaurapanchasika by Mrs. Leela Shiveshvarkar.
In August, 1968, a theft took place in the, National Museum. New Delhi, which resulted in the loss of valuable items of jewellery and coins. The police recovered 107 items of jewellery out of the 125 stolen and 1,200 grams of gold suspected to be melted out of the stolen coins and the remaining items of jewellery. To strengthen the security arrangements of the National Museum, a number of effective steps have been taken. Others are contemplated. The Central Government has set up a committee of museum experts to go into the organisation and administration of the three Central Museums and also to make recommendations for strengthening the security arrangements in these museums and protected archaeological monuments and sites. Further steps towards greater security of valuables in these museums and protected archaeological sites and monuments will be taken in the light of the recommendations of this committee.
Under the educational programme of the Indian Museum, a temporary anthropological exhibition under the name "Bibhor, a Tribe of Bihar" was organised within its premises with specimens collected for the section from the cultural environment of the tribe, the Hazaribagh district of Bihar. A series of 12
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lectures by eminent scholars was arranged during the period to enlighten and interest the public in different subjects covered by the museum.
Facility of guided lecture tours was extended to as many as 11,144 visitors. 400 coins were identified for outsiders on request. In some cases, special explanatory notes with photographs of the coins were also furnished. 45 scholars were permitted to consult the coin collection for study purposes.
Under the development scheme of the Indian Museum, the third block of the Pre-history Gallery, entirely a new addition, was completed and thrown open to public on 24th August, 1968. In this block, cultural elements belonging to the different cultural horizons of the Indus Valley Civilization have been presented with the help of modem audio-visual materials like charts, maps or sketches to make the display attractive, informative and educative.
In the re-organisation work undertaken in the Bharhut Gallery, three sculptures were newly introduced. New trilingual labels were also introduced in different galleries of the section. To help. the scholars and interested visitors to view the sculptures kept in reserve, the reserve collection was being re-organised systematically.