GENERATING ENVIRONMENT FOR CREATIVITY : ROLE OF TEACHER
An important parameter for improving the quality of education lies in the art of imparting education. It has been observed that even the best curriculum and the most perfect syllabus remains dead unless quickened into life by the right methodology. Here the role of the teacher is very crucial. One of the first decisions a teacher should make, is the relevant strategy/strategies to use. The decision depends on the objectives. If the objective is only giving information, a straight lecture will be very effective. But if the objective is nurturning of creativity along with concept clarification, the teaching strategies have to be different. The ability to think creatively is required by teachers in most informal learning experiences.
All those who are concerned with education want "teaching a success." It signifies the idea that learning is implicated in teaching. Now in much pedagogical literature, expression "teaching-learning process" is used in order to change the focus, that teaching entails learning. With the increase as well as modernization of contents many changes have been brought in teaching-learning process. The following table indicates some contrasts between traditional and new trends in methodology of teaching :
Traditional modes fo teaching New trends in teaching-learning process
Highly coherent structured courses Open, flexible courses
Teacher paced work Class paced work
Teacher lectures, class listens Teacher and class discuss
Teaching by telling Learning by doing
Learning by investigating
Linear courses Modular courses
Mainly concerns with theory Equally theoratical and practical work
Practical work to verify information, Inquiry-based practical work.
and to develop technical skills
Text book dominant Multimedia approach
Use of external learning systems e.g. radio, TV,
Video and Computers.
Use of models, games, real objects,
Simulation to develop understanding.
Use of problems based on second hand data.
Self developed activities e.g. project work.
Use of self-learning units - Programmed learning
material, instructional material written in modular
forms.
What should be done to generate an atmosphere for Creativity?
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The obvious conclusion to be drawn from the above analysis of teaching methodology is, that we have a variety of teaching learning strategies to be used. We have to see the appropriateness of methods for our target group and to achieve the objective of developing creativity.
Interactive methods are useful, authoritarian relationship of teacher to people should be avoided. Effective guidance is necessary by providing appropriate material. Children with creative potential experience the boundaries with which they can adventure and feel secure.
"How" questions like-"How does the drug thalidomide affect the growth of Protozoa", are relatively straight forward. The manner of attack is suggested by the question, but detailed procedure is needed. Designing of relevent procedure is also an important mental exercise.
"Why" questions are much more difficult to answer like-'Why does caffeine promote relaxation at bronchial muscles in humans". It does not imply a method of attack. Here one might speculate about possible reasons. There could be more than one answers which can be tested as hypotheses. Why questions rarely have a final answer; one question leads to another probing question. Such questions give opportunity for divergent thinking. This creates an atmosphere for nurturing and developing creativity.
Asking questions, actively involve students in their learning process by eliciting selected responses. The type of response can be elicited by the type of question being asked. Lower order, higher order, open and closed questions and several types of questions that can be used to engage students in thinking process.
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personal responses. Open questions can be used to create an atmosphere of sharing, clarification and openness in the class and give an opportunity for greater freedom and participation in learning science.
Teacher-Are nuclear power plants dangerous?
Student-Yes.
Teacher-In what way?
Student-They give off radiations.
Teacher-What does radiation do?
Student-It produces cancer.
Teacher-Where did you obtain that information?
Student- I saw a television programme on nuclear energy and they stated that radiation may cause cancer.
Teacher-What type of cancer did they mention?
Student-Blood type called leukemia.
Teacher-What is leukemia?
Student-An abnormal increase of white blood cells.
Teacher-How does Leukemia affect a person?
Student-It causes anemia.
Teacher-What is anemia?
Student-It decreases red blood cells.
Teacher-What are other symptoms of leukemia?
Student- I don't know.
This dialogue gives an idea how the teacher raises an open ended question about the danger at nuclear plant and by probing with a series of lower order questions to get additional information till it is fruitless to ask from the same student. Then the questions should be directed to other students to stimulate and motivate them to learn more about the topic. Probing questions can stimulate inquiry and the clarification at personal values.
While asking questions pausing or waiting time is an important aspect. Without waiting time question-answer session is ineffective.
If teacher encourages students and provides proper guidance tremendous opportunities are available for developing creativity outside the classroom also which many a times go a long way. A list of some such activities is given below :
Quiz competitions.
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Taking part in scientific debates.
Educational excursion and field trips of scientific importance.
The following points are a summary of the opinions of a group of teachers who held a seminar on the topic "How can the teacher encourage creative responses in the classroom"? They are included here principally as discussion points and as a basis for individual reflection. They are not in any order of priority.
1. A good pupil-teacher relationship is essential. Views differed on precise nature of this relationship, but is was agreed that the teacher must be a good listener, receptive to ideas and be able to response positively to them.
2. In group activities cooperation should be encouraged than competition.
3. Time limits should rarely be used, but teacher should be aware of "pace" in pupils learning, which should promote creativity.
4. It is essential that the teacher arranges for pupils to be successful. The implications of this for the building up of positive self concepts were considered important.
5. There should be a significant emphasis on participation by the pupils in planning their own work.
6. The reward should be concerned ultimately with the intrinsic satisfaction of having done some thing well.
7. Efficient organisation of routine work, flexibility in peoples learning to allow individual choice.
8. Emphasis on provision of a wide variety of material in plentiful quantities.
9. Emphasis on positive elements and encouragement in teachers approach.
10. Pupils own ideas should form the basis and starting point of their work. Discussion about this should be encouraged. Brainstorming techniques - to produce ideas.
11. Many starting points for study will be outside school, which should be regarded as "base for learning"
12. The teacher should have in mind the needs of a balanced programme.
13. Problems should be given which are solved in groups. Collaboration is imponant and often given rise to new ideas.
14. A team-teaching approach is likely to be fruitful. The team could also profitably include students.
15. It is important to build up learning resources. Creative work makes great demands on background material.
16. Begin from where the pupils are, not where the teacher think they ought to be.
17. The use of educational games and varieties which call for imaginative, individual solutions has great potential for creative development.
John Foster : Creativity and the Teacher, 1971, Macmillan Education Ltd.
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